Thursday, December 23, 2010

The Year Christmas Came from Nashville

So as soon as our film was mixed, Luc and I put together a special CD of our five finished Dolly Parton "remakes" (as arranged by Alex Cattaneo and interpreted by Martha Wainwright, Coral Egan, Geneviève Toupin, The Wailin' Jennys and Nelly Furtado), and we sent this very limited edition (1 of 1) CD to Dolly Parton - care of her fantastic right-hand gal in Nashville last week.

Believe it or not, in her mind-bogglingly busy schedule, Dolly actually took the time to listen to our offering right away... And this is the little Christmas miracle that came back over the fax last night!

So, with the spirit of Dolly filling my heart to the brim, I want to wish you all the magic and abundance of this Christmas season...

Enjoy your families, your friends and your feasts, but rest up!

2011 is going to be a big movie-going year!

Friday, December 17, 2010

Merry Multi-Tasking!

Something crazy seems to happen to the space-time continuum at this time of the year.

It seems to suddenly shrink. And curl up into itself. So that the days fly by in bundles of three and five instead of one at a time. Catapulting us all headlong, at warp speed, into D Day.

In other words, Christmas.

Don't know why this black hole in our calendar always catches me by surprise, but here it is looming in front of me again, and as usual, I'm behind on everything - including the blog...

So, in the spirit of the season, I'd like to update you on all that's happening to get the film out into the world by writing this post in the only dialect I'm using these days ...

To Do List:

- Consult on graphics and animation for the film's theatrical trailer, freshly edited by Arthur Tarnowski
- Attend auditions for voice-over actors playing the roles of Elizabeth and Annabelle in the French! version of the film, "Dolly Parton, ma mère et moi"
- Review proposal for film's website homepage! designed by "Cri"
- Lock down the number and "names" of pieces of score to be included in the soundtrack
- Review and approve the film's poster! with Métropole and Mongrel
- Find generous and/or hungry graphic designer for the soundtrack album cover, use poster art work as model
- Finalize album song line-up
- Secure all licences
- Mix selected score
- Master all tracks
- Drink wine

That last item is a floater - it can pretty much be inserted anywhere in the list. Like, for instance, right at the top.

Well, time's flying and I've got a lot to do, so... better start working my way down the list!

Monday, December 6, 2010

Title Bout

In preparing to write this blog every week, I work pretty much the same way I did when I started writing the film: I get an idea of what it is I want to say. What story I want to tell. And then I come up with some groovy title that gets my juices flowing and I use it as a springboard to plunge into the writing of the thing ....

Well I have to tell you, I've had one hell of a time coming up with a title for this week's blog post.

And that is almost always a sign that I'm avoiding telling the story ...

See, in last week's entry, I talked about how we are now all about launching into this next, uber important phase of filmmaking: the "showing it" part. And how we and our partners are going to talk about getting the film seen the way it's meant to be seen : In cinemas. By people. (however I use the plural in both cases advisedly).

Now everyone knows that homegrown (albeit French) cinema is alive and thriving in an enviable way here in la belle province. But those very same celebrated and SUCCESSFUL films rarely travel beyond Quebec's borders to the rest of Canada, or beyond. And unfortunately everyone also knows how notoriously difficult it is to get English Canadian films to be seen by English Canadians in English Canada - let alone anywhere else.

But because our little project is something of a cross-cultural cocktail : an English-language film coming out of French-speaking Québec, starring a high-profile Québécoise actress, an exciting young newcomer from Vancouver and featuring internationally acclaimed singer Dolly Parton AND her music, with the added advantage of being backed by well-respected distributors in both Toronto and Montreal, you might think we have managed to combine the best of a few worlds... That we just might have what it takes to erase borders and apathy and actually "cross over".

I know I promised last week I would tell you how it all went down in our marketing meeting with our respective distributors but I guess you've probably figured out that this is the part of the story I'm having trouble telling. So maybe the blog titles I've been agonizing over will help give you some idea of why. Here's what I've got so far:

"Managing Expectations"

"Why Even Bother?"

"The Two Solitudes - Cinema Style"

"You'll never do a whole lot unless you're brave enough to try"
- Dolly Parton

Okay, you know what, I'm going with that last one. Because that's the tone I ultimately want to set for the tale that's about to unfold over the coming months... the tale of some plucky Filmmakers Without Borders who triumph over seemingly insurmountable odds and apathy to actually get their film seen in cinemas, by people!

We all know it's a multi-media jungle out there. And they say if you don't have an American star headlining your little indie Canadian film, you don't have a hope in hell of drawing an audience. Oh, but wait, just because you HAVE an American star headlining your film, don't think you have a hope in hell either.

And if your film doesn't have a major festival/award as a springboard into the movie-going consciousness, or it doesn't have some high-concept hook to hang it on, or a Hollywood look, or an ethnic angle - you may as well just start making space in your DVD rack right now, Bunky, because there's pretty much no way your film's going to break through.

Although, plenty of films that have some or all of the above going for them didn't break through either.

Okay, but what if it has a good story? Strong performances? Tasty sights and sounds?

And a killer, head-turning title?

Yeah, it all starts with the title.